In vain Wood protested his innocence. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. ‘But I do not pay this penalty. Where was the harm in letting her go? She could not get far. Twice he cleaned the old briar; still there was no improvement. Her body went into spasm. In the end, resolution triumphed, as it was sure to do, over the weaker emotions, and he laughed at his fears.
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