Over the mantel, set into an ornately carved panel with fluted columns at each end, was a portrait of a man on horseback. As she talked, the drift and significance of what she was saying shaped itself slowly to Ann Veronica’s apprehension. Another was Baptist Kettleby, and a third, in a Dutch dress, was recognised by his grizzled beard as the skipper, Van Galgebrok. "Here, wife—hostess—fetch me that bottle from the second shelf in the corner cupboard. Here was not the individual against whom she had been warned. She realized more and more the quality of the brink upon which she stood—the dreadful readiness with which in certain moods she might plunge, the unmitigated wrongness and recklessness of such a self-abandonment. ’ ‘But she must have known I’d longed to hear of you.
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