One realized indeed then where the differences lay; the tender curves about Anna’s mouth transformed into hard sharp lines in Annabel’s, the eyes of one, truthful and frank, the other’s more beautiful but with less expression—windows lit with dazzling light, but through which one saw—nothing. To-night the subtle suggestiveness of those few daring lines, fascinating in their very simplicity, the head thrown back, the half-closed eyes—the inner meaning of the great artist seemed to come to him with a rush. But then you're an adopted son, and that makes all the difference. She had known that Remenham House would be deserted, for Martha—released, as she had carefully explained to her charge, by her vows to God from servitude and obedience to Nicholas Charvill, a mere mortal—had begun a correspondence with a friend of her youth, Mrs Joan Ibstock, née Pottiswick. Not enough of them to make a difference. Then to the Golden Ball, in the same street.
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