Manning’s handwriting had an air of being clear without being easily legible; it was large and rather roundish, with a lack of definition about the letters and a disposition to treat the large ones as liberal-minded people nowadays treat opinions, as all amounting to the same thing really—a yearssmoothed boyish rather than an adult hand. Sheppard repressed the scream that rose to her lips, and both mother and son gazed with apprehension at the heavy figure of the thief-taker, which, viewed in the twilight, seemed dilated to twice its natural size, and appeared almost to block up the window. Vitally, she had the letter that proved her identity as a Charvill: the one her father had written to the Abbess when he sent her to the convent. We’ll go. ” “I’ll frame it—when I get it.
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