There was a mad musician, seemingly rapt in admiration of the notes he was extracting from a child's violin. Its architecture was richly ornamental, and resembled the style of a triumphal entrance to a capital, rather than a dungeon having battlements and hexagonal towers, and being adorned on the western side with a triple range of pilasters of the Tuscan order, amid the intercolumniations of which were niches embellished with statues. Why should she trouble herself over that young fool, who was nothing to her; who, when he eventually sobered up, would not be able to recognize her, or if he did, as something phantasmagorical? Perhaps he should not apply the term "fool"; "unfortunate" might be the more accurate application. ” “Annabel! Annabel!” Annabel stamped her foot.
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