A SCENE FROM THE PHOTOPLAY. "Ready!" answered Smith, shaking himself, and producing a similar pair of weapons. We met dissecting dogfish. "Look at these fetters," returned Thames, holding up his manacled wrists; "they were put on by my uncle's command. Bulging out more in the middle than at the two extremities, it resembled an enormous cask set on its end, —a sort of Heidelberg tun on a large scale,—and this resemblance was increased by the small circular aperture—it hardly deserved to be called a door—pierced, like the bung-hole of a barrell, through the side of the structure, at some distance from the ground, and approached by a flight of wooden steps.
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