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Manning’s handwriting had an air of being clear without being easily legible; it was large and rather roundish, with a lack of definition about the letters and a disposition to treat the large ones as liberal-minded people nowadays treat opinions, as all amounting to the same thing really—a yearssmoothed boyish rather than an adult hand. The eminent painter had handsome, expressive features, an aquiline nose, and a good deal of dignity in his manner. “You found the cabochon? After all these years?” He asked, incredulous. White’s,” she said, “and if he is going to persist in this delusion, we cannot both remain here.

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