The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. Kneebone made his appearance. Its architecture was richly ornamental, and resembled the style of a triumphal entrance to a capital, rather than a dungeon having battlements and hexagonal towers, and being adorned on the western side with a triple range of pilasters of the Tuscan order, amid the intercolumniations of which were niches embellished with statues.
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